Rate: 4 out of five
Year of Publication: 1943
Motive for Murder: Greed
In a sleepy Lymstock, nothing untoward happened. Peace was the norm in the idyllic village: no wars, no bombs. Until the first murder occurred. The Symmingtons’ housemaid body was found cold in the downstairs’ cupboard with a blunt force trauma in her head. A week beforehand, Mona Symmington committe suicide.
Anonymous hate letters had circulated, as the poison pen spread scare among the villagers. Despite their being defiant about the letters, fears and anxiety increased being a target of abhorrent accusations.
In the meantime, Megan Hunter saw something on the day her mother died. A young girl of twenty, she was often seen wandering round the village either in her bike or on foot. Aimee Griffith disliked her idleness, whereas some had sympathy to the girl whose mother paid little attention to her.
She saw something she wasn’t supposed to see. As she realised what would happen next, it was nobody but her who could prevent it become materialised. Could she trust herself to take a high risk to save her life and others?
In today’s social media age, the tales of fake news and rampant finger pointing are ubiquitous; the internet trolls that spewed poisonous comments then propelled an issue to a much larger scale and onto a different level.
The devastating impact of hoaxes had also left imprints in Christie’s world; Elinor Carlisle receiving spiteful letters after her engagement in Sad Cypress(1940) and Dr. Charles Odfield asking for Poirot’s help to clear his name due to rumours about his poisoning his late wife in the Labours of Hercules (1947). If vile letters were exist in those books to flavour to a plot, in The Moving Finger the issue became the epitome of an abuse in words.
From the onset Christie put forward the various effects of libels for their respective recipients. To the brother and sister Jerry and Joanna Burton, such was an expression of alienation to foreigners that strengthens the villagers’ watchful glance towards them and their quiet sighing to their cosmopolitan behaviour. To Dick Symmington the solicitor, his reputation, having only opened his practice for a few years, was at stake.
Supposed the book was a blank painting canvass, Christie then had morphed it into a Jackson Pollock ; the dialogues were the outpourings of characters’ mind while delivering blatant criticism on society.
I have noticed that the books Christie had written during the War may carry the homogenous spirit of being bold and fearless about life. They expose the worst in human’s nature that leave pins and needles sensations in their wake.
As far as I am concerned, Christie stayed put in London during the War. Her decision was made mainly because of her daughter, Rosalind Hick, whose first husband Hubert de Burgh Pritchard was on an active service an died in 1944.
Come what may, the book touched nothing about the War, although the apparent distress which engulfed Lymstock might have mirrored the uncertainty of the War. Clearly Christie banned any mention of it, but turned the sky of ostensibly picture-perfect setting of the countryside into a cloud of vultures circling an area where a carcass of crime is identifiable and the smell of it inevitable.
Enter the young village doctor Owen Griffith and the orphan Megan Hunter. Together with the Burtons Christie spun the plot around the four of them. Jerry seemed to be an extrovert version of Colonel Hastings; Joanna’s carefree attitude paralleled to Giselda Clement (Murder At The Vicarage) and Dr. Griffith might have been Dr. James Sheppard – only younger and more handsome.
As circumstances altered and characters changed, attention turned into Aimee Griffith, Owen’s older sister. A semblance to Catherine Sheppard, Aimee was atypical spinster character in other books (see more on The Most Fascinating Character). Likewise, Mona Symmington could be likened to Mrs Ferrars (see Notes On The Murder of Roger Ackroyd). By the same token, Mr. Ackroyd’s housekeeper Miss Russel had the same traits to Mrs Cane de Althorp – their detecting ‘bad smell’ in people.
The plot saw Christie’s marvelling at putting the right dose between feeding excitement and inducing sinister sentiments. Clues dropped in unexpected situations obscured in an ambiguous tone. Whilst it could be quite confusing at times, her sticking to Jerry’s viewpoint held together the loose ends.
As expected, the subplots bore comparable details in her previous books. Nonetheless, it takes a skilful writer with tricks up her sleeves to pinch a detail and combine it with others to create an entirely different setting. Halfway I felt I could guess whodunit although I realised that the theatrical touch in it would only make sense as I turned to the last chapter.
Miss Marple remained behind the screen until the last five thousand words. Meanwhile, some readers might have asked themselves whether the Burtons had been a one-off Tommy and Tuppence. Only in the end it explained the police’s involving Jerry in the investigation in spite of the fact he was a suspect.
To conclude, it is a Miss Marple book that deserves more recognition among Christie’s fans. It’s more than the craft of the plot, but a study of point of views: have we seen an issue in a bigger picture?
-Dick Symmington donated his old typewriter to the Women’s Institute
-Megan Hunter’s father was imprisoned for blackmail
-Aimee Griffith wrote the anonymous letter to Elsie Holland
– Joanna Burton received a hate letter that was intended for Emily Barton
– Mrs Dane Calthrop roped in help from an old friend: Miss Marple
– Emily Barton’s prayer book with ripped pages used by the Poison Pen in different anonymous letters was found in the Symmingtons’ downstairs cupboards
Cast of Characters:
– Mrs. Baker (Beatrice’s mum; Beatrice a housemaid at Little Furze)
– The Burtons (Joanna and Jerry)
– The Dane Calthrops (Reverend Caleb and his wife)
– Elsie Holland (a governess at the Symmingtons)
– Emily Barton (whose house Little Furze was rented out to the Burtons)
– Florence (Miss Barton’s former maid)
– Miss Ginch (Dick Symmington’s secretary in the law office)
– Inspector Graves (Scotland Yard)
– The Griffiths (Owen the village doctor and Aimee who ran girl’s guide)
– Marcus Kent (Jerry Burton’s doctor)
– Megan Hunter (Mona Symmington’s daughter from her first marriage)
– Superintendent Nash
– Partridge (the cook at Little Furze)
– Sergeant Perkins
– Mr Pye (the proud owner of Prior’s Lodge who has a penchant for antiques)
– The Symmingtons (Dick the lawyer and his wife Mona)
The Most Fascinating Character: Aimee Griffith
Christie’s crime novels have a number of spinsters in them; from Miss Marple herself to Kirsten Lindstrom (Ordeal by Innocence); from Cecilia Williams (Five Little Pigs) to Nurse Jessie Hopkins (Sad Cypress).
Aimee Griffith is not just another one. In her most renowned book, Christie establishes Dr. Shepepard’s sister’s reputation being a chief gossip in King’s Abbot right from the beginning. On the contrary, she introduces Aimee as just one of Jerry Burton’s encounters with the villagers without a hint of importance to her role. Her presence is more often due to her access to a typewriter the police have believed being used to type the poisonous letters.
She disapproves Megan Hunter; her being the daughter of ‘the wrong un’ To Jerry Burton, Aimee is rather overwhelming. ‘Too much an Amazon for me,’ heremarks to Joanna once.
Unlike other fore-mentioned spinster characters, Aimee is good looking. She is comfortable in her own skin and bold, although she seems to be on guard with words and tends to keep her ideas to herself.
In her absence still there are echoes of her. She argues with Jerry about gender equality with apparent franknesss. ‘It is incredible to you that women should want a career. It was incredible to my parents. I was anxious to study for a doctor. They would not hear of paying the fees. But they paid them readily for Owen. Yet I should have made a better doctor than my brother.’
The bombshell is then dropped when the police arrest Aimee for sending a warning letter to Elsie Holland. Worse, Aimee has denied having done it. Meanwhile, the police has realised she has held back information about two other suspects.
Things look pessimistic for her. Only Miss Marple who can help squash her charge with a huge favour from Megan.
Jerry Burton (JB) and Aimee Griffith (AG) (after the inquest on the death of Mona Symmington):
AG; ‘ I was terribly sorry for Dick Symmington its all having to come put as it did at the inquest. It was awful for him.’
JB: ‘But surely you heard him say that there was not a word of truth in that letter – that he was quite sure of that?’
AG: ‘Of course he said so. Quite right. A man’s got to stick up for his wife. Dick would. You see, I’ve known Dick Symmington a long time.’
JB: ‘Really? I understood from your brother that he only bought this practice a few years ago.’
AG: ‘Oh yes, but Dick Symmington used to come and stay in our part of the world up north. I’ve known him for years. I know Dick very well…. He’s a proud man, and very reserved. But he’s the sort of man who could be very jealous.’
JB: ‘That would explain why Mrs. Symmington was afraid to show him or tell him about the letter. She was afraid that, being a jealous man, he might not believe her denials.’
AG: ‘Good Lord. DO you think any woman would go and swallow a lot of cyaniade potassium for an accusation that wasn’t true?’
JB: ‘The coroner seemed to think it was possible. Your brother, too…’
AG: ‘Men are all alike. All for preserving the decencies. But you don’t catch me believing that stuff. If an innocent woman get some foul anonymous letter, she laughs and chucks it away. That’s what I….would do.’
JB: ‘I see. So you’ve had one, too.’
Dick Symmington(DS) and Megan Hunter(MH):
MH: ‘I would like to speak to you, please. Alone.’
DS: ‘Well, Megan, what is it? What do you want?’
MH: ‘I want some money.’
DS: ‘Couldn’t you have waited until to-morrow morning? What’s the matter, do you think your allowance is inadequate?’
MH: ‘I want a good deal of money.’
DS: ‘You will come of age in a few months’ time. Then the money left you by your grandmother will be turned over to you by the public trustee.’
MH: ‘ You don’t understand. I want money from you. Nobody’s ever talked to me much about my father. They’ve not wanted me to know about him. But I do know he went to prison and I know why. It was for blackmail!
‘Well, I am his daughter. And perhaps I take after him. Anyway, I am asking you to give me money because… if you don’t….’